Friday, 1 February 2013
Lindsay Lohan could face jail after March trial in California
Thursday, 31 January 2013
Billabong Air & Style Innsbruck 2013 - Kicker Setup
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'Pretty Little Liars' Shay Mitchell Talks Style, Scent at Juicy Couture Fragrance Launch
The actress talks early 2000s fashion ("I don't know if I did it so well back then,") fashion and spills 'PLL' secrets at the Wednesday event.
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Can you really get fit in FOUR MINUTES every day? It's the hot new exercise craze. And amazingly, it worked for our (exhausted) guinea pig
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Review of the BCIT GIS Program: A Boon to Canadian GIS Job Seekers
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Tea Party Congressman Warns of Government Shutdown Without Big Cuts
An outspoken Tea Party congressman and deficit hawk says that a government shutdown may be necessary if President Obama and his fellow Democrats won't go beyond the "dollar for dollar" cuts that were part of the last agreement to raise the federal debt limit.
"If that is what it takes to prevent this generational theft, we'll
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Wednesday, 30 January 2013
Check The Course with Maxence Parrot - Backside 1440 Triple Cork at O'Neill Evolution 2013
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Fashion News: Michelle Obama at the London Olympics 2012
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Olympic rower Mark Hunter on the heartbreak of the Olympics and golden days on soothing Mauritius
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Tuesday, 29 January 2013
Amazon wants to make your hi-res videos mobile-friendly with Elastic Transcoder
Transcoding video is a pain. We know that about as well as anyone. Amazon feels that pain, and thankfully, it's got the servers to back it up. Ahead of today's earnings release, the retail giant is announcing the release of Elastic Transcoder, a service aimed at helping users convert their videos into different formats, with a number of presets available for mobile devices, web browsers and the like. Customers can also go ahead with their own presets, if they're so inclined, adjusting things like file size and bitrate. Elastic Transcoder makes it possible to process multiple videos and prioritizes files based on urgency. The pay-as-you-go service is currently available in a half-dozen areas, including the EU, US East and two in the US West and Asia Pacific. More info after the break.
Amazon Web Services Launches Amazon Elastic Transcoder
Amazon Web Services, Inc. (AWS), an Amazon.com company (NASDAQ: AMZN), today announced Amazon Elastic Transcoder, a highly scalable service for transcoding video files between different digital media formats. For example, customers can use Amazon Elastic Transcoder to convert their large high resolution "master" video files into smaller versions that are optimized for playback on websites, mobile devices, connected TV's and other video platforms. Amazon Elastic Transcoder removes the need to manage infrastructure and transcoding software, providing scalability and performance by leveraging AWS services. The service manages all aspects of the transcoding process transparently and automatically. It also supports pre-defined transcoding presets that make it easy to transcode video for smartphones, tablets, web browsers and other devices. With Amazon Elastic Transcoder, customers can create enterprise, training, user-generated, broadcast, or other video content for their applications or websites. Customers can get started with Amazon Elastic Transcoder by visiting http://aws.amazon.com/elastictranscoder.
Traditionally, transcoding has been complex for customers in three significant ways. First, customers need to buy and manage transcoding software, which can be expensive and also requires substantial configuration and management. Second, audio and video settings for each device that the customer wants to support need to be created and tested. Often, this is a trial and error process, which can be wasteful as compute resources are used each time a new combination of settings is tried. Third, to accommodate peak workloads, customers need to provision the transcoding capacity appropriately. This can be expensive because most of the time the capacity is underutilized.
With Amazon Elastic Transcoder these complexities are eliminated. There is no need to buy, configure or manage the underlying transcoding software. In addition, Amazon Elastic Transcoder provides pre-defined presets for popular devices that remove the trial and error in finding the right settings and output formats for different devices. The service also supports custom presets (pre-defined settings made by the customer), making it easy for customers to create re-useable transcoding settings for their unique requirements such as a specific video size or bitrate. Finally, Amazon Elastic Transcoder automatically scales up and down to handle customers' workloads, eliminating wasted capacity and minimizing time spent waiting for jobs to complete. The service also enables customers to process multiple files in parallel and organize their transcoding workflow using a feature called transcoding pipelines. Using transcoding pipelines, customers can configure Amazon Elastic Transcoder to transcode their files when and how they want, so they can efficiently and seamlessly scale for spikey workloads. For example, a news organization may want to have a "high priority" transcoding pipeline for breaking news stories, or a User-Generated Content website may want to have separate pipelines for low, medium, and high resolution outputs to target different devices.
"Our customers told us that it was difficult and expensive to transcode video due to the explosion in the number of devices they need to support," said Charlie Bell, Vice President of Utility Computing Services. "They had to be both experts in the intricacies of video support on different devices and manage the software required to run the transcoding jobs. None of this work had anything to do with their goal: getting a high quality video that would look great on the devices they wanted. We built Amazon Elastic Transcoder to give our customers an easy, cost effective way to solve these problems."
"The Language Learning Center offers hundreds of hours of video content in over 50 languages to students and faculty, with a growing library of video assets," said Bob Majors, Senior Computing Specialist, University of Washington. "With Amazon Elastic Transcoder, we've been very impressed with how easy it is to convert our content into versions that work well on the web and on mobile devices."
"Zuffa encodes videos of the Ultimate Fighting Championship and prides itself on delivering the best and most up to date content to its fans. Amazon's Elastic Transcoder has the horsepower to scale for very large videos, even hundreds of gigabytes in size and this will help us continue to be leaders in the digital space," said Christy King, VP Technology R&D, Zuffa, LLC.
OneScreen is a technology solutions provider that connects video producers, publishers, and advertisers across all screens through its Media Graph platform. "At OneScreen, we are excited to add Amazon Elastic Transcoder to our broad utilization of the AWS cloud," said Patrick Ting, CTO, OneScreen, Inc. "With the scalability and cost-efficiency the service offers, we're able to pass those benefits on to our producer and aggregator partners, making it easier for them to bring high quality content to the market."
Amazon Elastic Transcoder offers simple pay-as-you-go pricing. Customers are charged based on the number of minutes they need to transcode and the selected resolution. There are no upfront fees or minimum commitments required. To help customers understand how this service can be used with their applications, AWS is providing a free tier of service, in which up to the first 20 minutes of content transcoded each month is provided free of charge. Amazon Elastic Transcoder is available in six regions: US East (N. Virginia), US West (Oregon), US West (N. California), EU (Ireland), Asia Pacific (Singapore) and Asia Pacific (Japan). Customers can get started with Amazon Elastic Transcoder by visiting http://aws.amazon.com/elastictranscoder.
Filed under: Amazon
Via: TechCrunch
Source: Amazon
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Allison expects rivals? cars to have stepped noses | 2013 F1 season
Allison expects rivals’ cars to have stepped noses is an original article from F1 Fanatic. If this article has been published anywhere other than F1 Fanatic it is an infringement of copyright.
Lotus technical director James Allison believes the team's rivals will also have stepped noses on their cars as the E21 does.
Allison expects rivals’ cars to have stepped noses is an original article from F1 Fanatic. If this article has been published anywhere other than F1 Fanatic it is an infringement of copyright.
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Mac on... High-speed rail link
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Monday, 28 January 2013
Paul Regan For Fabric
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Embassy Security in the NDAA
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Johnson's flu adds to mounting USMNT woes
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TREASURIES-Prices slip before auctions as durables orders cheer
on Monday after a gauge of planned U.S. business spending rose
in December and investors pushed for price concessions ahead of
a debt...
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Punks Pools and Old Skool Shredders
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Sunday, 27 January 2013
Bonds fall to end worst quarter since 2010 fourth quarter
Reported explosion at Iranian nuclear site, covert roadside bomb
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MADE IN BRITAIN AWARDS: Harvard Engineering named the Judges' Choice winner
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J.J. Abrams directing ?Star Wars?: Many voices cry out in reaction
Saturday, 26 January 2013
Argentina decides to control oil firm YPF: report
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Senators propose bill to ban pork spending permanently
Sen. Pat Toomey on support for measure
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Florida court overturns two of Casey Anthony's four convictions
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Tips and Things to Avoid When Writing a CV to Help You Make a Great Impression and Get an Interview
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Friday, 25 January 2013
Create Shareable Mini-Vids with Twitter's Video App Vine
Vine is Twitter's new video sharing app that allows users to easily create and upload six seconds of looped video. Says Wired, "With the six-second limit and stop-and-go recording, Vine is the closest thing to an 'Instagram for video' I’ve seen to date. It’s not about literally porting filters over to video, but rather making it simple to create entertaining clips. The mobile-only experience is about capturing very short, in-the-moment videos that require very little effort but can also be incredibly different from one another."
Read more here.
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Brad Pitt Catches A Flight Out Of Heathrow
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More Than One-Third of XBox Users Engage With Interactive Ads
LAS VEGAS -- Interactive ads on the XBox gaming system are delivering a 37% engagement rate, according to data released this week by Microsoft. At the Consumer Electronics Show in Las Vegas, Beet.TV's Ashley Swartz connected with Ross Honey, General Manager of XBox Entertainment and Advertising, who sheds more light on these just-released figures in an interview with Beet.TV. Microsoft launched the interactive ads, dubbled "NUads," last fall with early marketers including Toyota, Unilever, and Samsung. The ads invite user participation via polls and other forms of interaction. Based on the first wave of spots with Subway and Toyota, XBox found that 37% of viewers engaged with the ads when prompted to vote, and of those 71% voted in the polls. Also, 97% of those who voted waited to see their votes appear in the final tallies, underscoring the community nature of the XBox service. "If an advertiser puts the right question there that engages the user on a personal level, then the community wants to share that feedback and they want to see how their responses lined up," he tells us. That feedback can in turn be used by brands for new campaigns or product development. Next steps in interactive TV ads will likely come in new creative formats, Honey says in this video interview. "What we've done in games shows we can drive a whole new level of interaction, so we are just scratching the surface," he says. Ashley Swartz is a principal of the New York-based consultancy Furious Minds. She is former head of the interactive television practice at Digitas. She is a regular contributor to Beet.TV. -Daisy Whitney
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Video: Raptors' DeMar DeRozan sinks game-winning shot vs Orlando
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Thursday, 24 January 2013
The Day after Tomorrow
?It?s Not Complicated?: AT&T?s ads top the social tv commercial chart
For last week?s edition of�Bluefin Labs? most talked about commercials, we see that AT&T, Pepsi and Progressive are at the top of the chart. With a 191% gain week-over-week, AT&T has launched into the number one spot with its brilliant ?It?s Not Complicated? ads. The buzz confirms that AT&T has a hit on its hands. The moderator of the focus group in the commercial is Beck Bennett, who has a YouTube series called ?Fresh Perspectives.? Fresh Perspectives is like The Daily Show with Bennett as Jon Stewart, and kids as the correspondents. This is a great move by AT&T and creative agency BBDO Atlanta to take Bennett?s act national. continued…
New Career Opportunities Daily: The best jobs in media.
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Punk Rock Protest: Tracing the Trials of Russian Band Pussy Riot
A documentary on the imprisoned members of Russian punk rock group Pussy Riot had its world premiere in January at the 2013 Sundance Film Festival in the World Cinema Documentary Competition. Pussy Riot—A Punk Prayer, co-directed by Mike Lerner (Hell and Back Again, The Afghans) and Maxim Pozdorovkin (Capital), chronicles the arrest and trial of Nadezhda Tolokonnikova, Maria Alyokhina and Yekaterina Samutsevich (Nadia, Masha and Katia).
Several members of the Russian feminist punk-rock collective Pussy Riot |
The three women attracted worldwide attention last year when they were arrested and charged with hooliganism following the staging of a “punk prayer” protest against recently re-elected Russian president Vladimir Putin in Moscow’s main cathedral. Amid a storm of media attention, the ensuing trial was criticized as a show staged to discourage other dissenters, with artists such as Madonna, Paul McCartney and Sting voicing their support for the group. The women were sentenced to two years in prison in October, though Samutsevich was later freed on appeal.
Russian-born Pozdorovkin, who grew up in Moscow and New York and was living in Moscow during the trial, found himself drawn to the women and how their story was being portrayed around the world. “The story hasn’t been properly represented in the media, on both the Russian and Western sides,” he says. “It isn’t about dissent—it’s about this huge generational divide and the conflict that creates. This is about a younger generation making itself heard by any means necessary.”
A punk pastiche, the film combines footage from Russian news agencies with material captured with equipment ranging from mobile phones and handheld cameras to stabilized DSLR rigs. “There’s footage from places where cameras weren’t allowed, [recorded] using iPhones or whatever,” says Pozdorovkin, who in addition to attending Harvard grew up playing in bands and producing his own fanzines. “It’s a true punk rock media collage, which is appropriate to the film and to the subject matter.”
On February 21, 2012, several members of the group staged a performance/protest at Moscow’s Cathedral of Christ the Savior. Pussy Riot turned the performance into a music video called “Punk Prayer—Mother of God, Chase Putin Away!” |
The UK-based Lerner, who runs his Roast Beef production company from London but has been a frequent traveler to Russia, sought to present an accurate picture of the three women. “One of our goals was to show the process of the trial, but this is very much a story of these women and their families,” he says. “We wanted to find out what made these women—their upbringing, their backgrounds. Who are they? We see their images daily in the press, but it’s hard to get a sense of who they really are, so that’s what we wanted to do with this film.”
The production team shot extensive interviews with the families of the three women. To make the best use of available light inside subjects’ homes, director of photography Antony Butts (After the Apocalypse) employed a Panasonic DMC-GH2 camera outfitted with a SKIER stabilizing rig and follow focus and Olympus 14-35mm Zuiko zoom lens, which allowed him to shoot at f/2 and provided increased depth of field. Audio was captured with a Zoom recorder and a combination of shotgun and lavalier mics, and recorded onto solid-state drives.
“The setup allows mid shots, wide shots and even some close-ups, but there’s always a trade-off,” Butts admits. “I’ve come to the conclusion that, because of the zoom, the DSLR cannot fulfill the role of a documentary camera. You want to be shooting the close-ups and mid shots and wide shots without switching lenses, but unless your subjects allow you to come right up close to them, the material you get is limited.”
Pussy Riot members staging impromptu and unauthorized performances around Moscow |
“Ultimately it’s a stylistic choice,” Butts continues. “Shooting DSLR gives a great image but is not without its challenges. It gives a far, far, far superior image than anything a camcorder can provide, and the results can be stunning. You will get amazing cinematography. But you will also screw up. You’ll screw up material and you will potentially screw up scenes because you have more to think about.”
“There’s no silver bullet, and it really depends on the relationship you have with your subject,” he concludes. “The only camera that gives everything is the Panasonic AG-AF100, but that’s looking a little dated now. As they say, the best camera is the one you have with you.”
With sentencing handed down in October, completing the project in time for its Sundance premiere proved to be one of the biggest challenges for the filmmaking team. With more than 200 hours of material to be transcoded into ProRes format for editing in Apple Final Cut Pro, Pozdorovkin found his apartment filled with hard drives. “What would normally take six months is happening over a period of weeks,” he says.
And with so much of the film’s dialogue in Russian, Pozdorovkin must serve as the main translator. “In a film with subtitles, the director is pretty much always the main translator,” Pozdorovkin laughs. “You’re always perfecting, trying to tighten and refine the translation as you go along.”
The kids are alright: Chaotic, magical India proves a surprising hit for a family holiday
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Blink now: Haier shows off eye-controlled TV at CES
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